Art For a Day

July 17, 2013 at 8:00 am Leave a comment

On May 10th We celebrated National Public Gardens Day with Earth Matters to Smithsonian Gardens – Garden Fest 2013! It was a busy (and hot) day energized by music, dancing, crafts, tomato potting, and lots of information for the home gardener, from composting to attracting pollinators.

When we asked artist  Emily C-D to design a collaborative, ephemeral art activity for Garden Fest we were excited to see what she would dream up. For weeks we collected leaves, flowers, and  more from our gardens and greenhouses, eager to see how she would incorporate the materials into an artwork dependent on visitor participation that would only last for one day.

In her own words, here is Emily’s take on her process and vision:

Garden Fest collaborative and ephemeral art activity

Emily drew out a design on a piece of 15’ x 15’ canvas beforehand and brought it with her on the big day. Photo by Brett McNish.

What was your inspiration for the project?

Emily: I was asked to come up with a temporary, participatory art piece appropriate for a festival about gardening that would also reference the Earth Matters: Land as Material and Metaphor exhibit at the National Museum of African Art. Drawing on my experience as a muralist who has often painted on horizontal surfaces, and also as an explorer that has experienced the beauty of Mexican tapetes (ephemeral carpets), I proposed the creation of a ground mural out of natural materials. I have always enjoyed transforming the floor—crosswalks, sidewalks, streets, and bridges—because the process of creation and the finished piece are intrinsically participatory. I can invite people of all ages and abilities to join in the fun since the surface to be transformed does not necessitate the use of ladders or scaffolding. The public that walks across the finished work of art enters the world created by the designs and colors, literally becoming a part of the piece. For Garden Fest, it seemed appropriate that we would use organic materials from the garden itself—seeds, leaves, petals, sticks, wood chips, rocks, and dirt—to “paint” the mural.

Adding natural materials to the ephemeral art piece.

Throughout the day visitors participated by jumping in and adding natural materials to the larger design. Some stayed for only a few minutes but others stayed for more than an hour. Photo by Francisco X. Guerra.

Can you tell us a little bit more about “garden carpets” in Mexico?

Emily: Tapetes (literally, carpet in Spanish) are temporary works of art that are created on the ground out of brightly colored sawdust and other organic materials like flower petals, beans, seeds, and rice. In Mexico, their creation is a public event that draws the community together and is often associated with the celebration of a religious holiday. Tapetes can be monumental, perhaps covering the entire block that surrounds a church. It takes an incredible amount of patience, time, and energy to create a work of art of such magnitude (and often quite impressive detail and design), and yet tapetes are meant to be walked on. They are pathways for spiritual processions and as such they are ephemeral, lasting only a day or two. The value of tapetes lies within a process that builds community and brings people into the present through the creation of a moment of beauty.

Did everything go as planned? Did anything surprise you?

Emily: The nature of my community practice is such that the element of surprise is built into the projects. My role as the artist is to create an open framework that establishes cohesiveness within a work of art that involves the contributions of many hands and minds.  Although I might be working with specific themes, materials, and/or designs, many details are left up to the participants so that they might have a sense of ownership of the piece, and not just feel like “helpers.” In the case of Garden Carpet, I drew a very basic design onto a large piece of canvas which people were encouraged to “color in” using the various materials at hand—sort of like a page from a monumental coloring book. The symmetrical nature of my drawing influenced the placement of the materials (sand, pinecones, or pink sawdust), so that without directing people as to where to place what, the final work exhibited an incredible sense of balance. It was a constant surprise to me as to which colors and textures were chosen to fill in the different areas of the design, and yet at the end of the day, my original drawing still shone through.

Visitors add natural materials to the ephemeral art piece at Garden Fest.

We were amazed by the intricate designs created by the Garden Fest visitors. Photo by Brett McNish.

 What was your favorite moment of the day?

Emily: The moment when two girls began to fill in the blank design with color was especially exciting, and viewing the finished work at the end of the day was definitely very satisfying. Although, I have to stress that I thoroughly enjoyed myself throughout the day. Every moment was filled with color, collaboration, and creation!

Emily C-D with the finished work of art.

Emily C-D with the finished garden carpet at the end of the day. Photo by Francisco X. Guerra.

How did you get into community art, and what do you enjoy about collaborating with the public?

Art is a form of communication that can transgress boundaries of language and culture. As such, I have always been interested in increasing the accessibility of art so that we might all realize our creative potential and cooperate in the creation of a more vivid, expressive world. I first got into community art back in 2004 when I facilitated the painting of new outdoor seating for a public library in Baltimore. Since then, I have been creating fun, interactive projects that blur the line between spectator and participant, working with people to discover color, rhythm, and beauty within the chaos of our reality.

At the end of the day the installation was rolled up and composted at our greenhouse facility, but it lives on in photographs and the memories of those who contributed to its creation.

Emily C-D is based out of Mexico City and Baltimore. You can view more of her community art on her website: http://www.emilycd.com/

 

-Kate Fox, museum educator

Entry filed under: Education, Garden Fest. Tags: , , , , .

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