The Heath Hen

June 4, 2014 at 7:00 am 1 comment

The Enid A. Haupt Garden is a symmetrical, manicured Victorian parterre gracing the Smithsonian Quad. While the design of the garden changes with the seasons, it usually has topiaries or tall urns in each of its four corners. This year, however, the plants have been replaced by four large bronze birds, each one representing an extinct species native to North America.

The birds, the work of artist Todd McGrain, are part of the Lost Bird Project. The project seeks to create awareness of the vulnerability of living things when they are hunted or their habitats are destroyed. The sculpture closest to the southeast corner of the garden  is the heath hen, whose history is closely entwined with that of the areas where it once thrived, from Maine to Virginia.

Heath Hen by Todd McGrain

Heath Hen by Todd McGrain

A subspecies of the prairie chicken, the heath hen was considered a culinary treat. Indeed, some have suggested that it was the heath hen rather than the turkey that the Pilgrims consumed during the first Thanksgiving. Because they were a cheap food source, heath hens were hunted and eaten, and their numbers dropped sharply. By 1870, there were none in the US mainland; their dwindling population was confined to the island of Martha’s Vineyard off the coast of Massachusetts. By the turn of the 20th century, only 100 heath hens were left and the island placed a ban on hunting. This measure, together with the creation of a sanctuary, increased their population to 800 by 1916. But a fire destroyed much of their breeding ground that year, and that, together with a harsh winter, disease, and the rise of predatory birds, once again imperiled the heath hen. By 1927, there were only 13 birds left. The last heath hen, known as Booming Ben for his distinctive and haunting hoot, died in 1932.

Heath Hens

This illustration shows a male and a female heath hen. From Illustrations of the American ornithology of Alexander Wilson and Charles Lucien Bonaparte Prince of Musignano With the addition of numerous recently discovered species and representations of the whole sylvae of North America (1835) by Thomas Brown and illustration by James Turvey. Wikicommons.

McGrain has depicted the hen with an open beak, as if Ben were trying to tell us something. The sculpture was made using the lost-wax method. The bird was first carved in wax, then covered with a ceramic material and baked in an oven. This burned away the wax, leaving a mold in the shape of the bird. The molten bronze was then poured into the mold, after which it hardened and assumed the desired form. The artist has therefore created a memorial to the extinct bird, both honoring the heath hen and reminding us of its extinction, an event that could have been averted with greater environmental knowledge and awareness.

-Annette B. Ramírez de Arellano, Smithsonian Gardens volunteer

Entry filed under: Education, Exhibits. Tags: , , , , , , .

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1 Comment Add your own

  • […] The Lost Bird exhibit, “Once There were Billions: Vanished Birds of North America” also opened this week at the National Museum of Natural History. As many of you probably know, this exhibit corresponds with the five Lost Bird sculptures seen in two of our gardens: the Passenger Pigeon in the Urban Bird Habitat and the Carolina Parakeet, Heath Hen, Labrador Duck, & Great Auk in the Enid A. Haupt Garden. The interior exhibit is down on the first floor of Natural History and is hosted by Smithsonian Libraries. Make sure to check it out, especially those of you who work in the Haupt Garden, so that you can familiarize yourselves a little more with the birds and further engage our garden visitors. Also keep your eye out for periodic blog posts about them; Annette, one of our volunteers is writing a series on the Lost Birds, the first of which can be found here. […]

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