Earth Works at the Smithsonian
This post was originally published on the National Museum of African Art Earth Matters blog.
The post today features Jonathan Kavalier, a supervisory horticulturist with Smithsonian Gardens, who was integral in making the Earth Works happen in conjunction with the Earth Matters exhibit. This partnership marks a first for the Smithsonian – never before has land art been installed on the National Mall. Learn about the process of making this amazing feat happen– with 30 million visitors to the nation’s capital looking on.
As a horticulturist, I don’t often have the opportunity to participate in art exhibitions. So when museum curator Karen Milbourne approached me with an idea for a collaboration between the National Museum of African Art (NMAfA) and Smithsonian Gardens, my interest was piqued. I met Karen when she attended a talk I gave on building gardens in Madagascar, a country I had the immense pleasure of living in for two years before joining the Smithsonian. Since I was already emotionally invested in Africa, the idea of collaborating with NMAfA sounded great, and definitely supported Smithsonian Gardens’ mission to enrich the Smithsonian experience through exceptional gardens, horticultural exhibits, collections, and education. What came out of many discussions was an idea to commission earthworks from several African artists in some of the Smithsonian Gardens.
Now two years later, this idea has finally come to fruition. My job was to manage the logistics of installing these very different earth works involving sculpture, living plants, and earth moving. Add to that the challenge of working around existing garden infrastructure and the 30 million visitors that come through the Smithsonian annually, all without compromising the artists’ visions. I am very happy to say that the earth works have all been successfully installed, and some rice planting finally happened a few weeks ago for Ghada Amer’s piece, Hunger. We’ve actually been growing rice in our greenhouses for the past two months, eagerly waiting for the warmer weather to arrive so we can plant the rice into the Earth Works exhibit.
The most challenging, and rewarding, part of coordinating these installations was working around the visiting public during what is the busiest time of year for Smithsonian Gardens. Lots of time and effort were put into ensuring the public’s safety during the course of the work, but the reward of observing visitors witnessing the creation of these exhibits was priceless.
We hope you’ll stop by the National Mall this summer and fall and see these spectacular works of art that only could have happened with the partnership and hard work of Jonathan Kavalier and the rest of Smithsonian Gardens. They mark a true “first” for the Smithsonian, revealing the constant connection between art, humanity, and the land that each earth artist in the show has skillfully and distinctly revealed. Don’t miss it!