Posts tagged ‘AAG’
Gardens are not only places for flowers, trees, and vegetation to grow. Insects such as ladybugs, bees, and butterflies, have an important role in our garden as well. These pollinators propagate flowers and vegetables to keep our gardens flourishing. They are so important to the survival of plants that gardeners have been known to create “homes” for these critters. Bees and wasps use insect houses to keep prey for eggs that have been deposited, while butterflies and ladybugs use them as a place to hibernate.
The Archives of American Gardens includes terrific images of insect homes. The style and size of insect houses vary just like the houses in which we live. The design of a house depends on the type of bug a gardener may want in his or her garden. For example, the size of the nesting holes drilled into the walls of an insect house influence the type of bug likely to dwell inside. The butterfly houses shown here were constructed in an elongated shape with vertical slits running up and down the sides. Butterflies must fold up their delicate delicate wings in order to fit into these narrow openings. Once inside the insect house provides the butterflies with excellent protection from wind, weather, and predators.
It is immediately apparent how the holes in this bee house vary greatly from those used by butterflies. Round holes provide bees easy entrance to the house. Unlike bee hives, bee houses are meant to attract solitary bees, such as the Mason Bee (Osmia rufa). This explains why there are multiple holes created in the house rather than one large opening like a bee hive would have.
To learn more about pollinators, attend the upcoming Pollination Party at the Smithsonian Gardens Butterfly Habitat Garden on Tuesday, June 16. The Pollinator Party will highlight the Pollinator Partnership’s mission to promote the health of pollinators–which are critical to food and ecosystems–through conservation, education, and research. Click here for more information about Smithsonian Gardens’ Pollinator Party.
– Melinda Allen, Archives of American Gardens intern
Above all else, Memorial Day is a holiday dedicated to honoring those who have lost their lives serving the United States. Unofficially, the long weekend also marks the start of grilling season. As we come together as family, friends, and neighbors to celebrate the arrival of summer and strengthen community bonds, the grill is the hearth around which we gather in backyards across the country. Barbecue and grilling have a long history in America, an ebb and flow of foodways coming together and drifting apart. Each region in America has their outdoor cooking traditions, from the vinegary pulled pork of North Carolina to bean-hole beans in Maine, to tri-tip grilled on the spit in southern California. Immigrants from as far away as Korea and Brazil have introduced new flavors and cooking methods to the American picnic table, expanding our ever-changing menu.
Our newest traveling exhibit is a collaboration between the Smithsonian Institution Traveling Exhibit Services and the Smithsonian Gardens’ Archives of American Gardens. Patios, Pools, & the Invention of the American Backyard explores the rise of outdoor living in the decades after World War II, as the suburban backyard became the setting for pool parties, barbecues, and family fun. The exhibit is currently on view at the Eisenhower Presidential Library and Museum and travels next to the Tampa History Center in June 2015.
Just about every town in America has rows upon rows of suburban tract houses, built as housing for returning veterans after World War II. The GI Bill of Rights placed homeownerships within reach of millions of people; by 1959, thirty-one million people owned their own home. With these homes came backyards, small lots that could be transformed into outdoor living rooms with a little imagination, some elbow grease, and a subscription to Popular Mechanics.
As a garden feature though, the grill really hit its stride in the 1930s and 1940s, gaining popularity on the West Coast before making its way east across the country. Fire pits and permanent brick barbecues complimented the low-slung, L-shaped ranch houses gaining popularity in California. The open architecture of the ranch house seamlessly blended the indoors with the outdoors, expanding the living space of the home. Outdoor kitchens, patios, and swimming pools began to take centerstage in the western backyard.
In the years after World War II, as wartime restrictions on materials were lifted and consumers flexed their newfound buying power, novel products for outdoor living flooded the market. The Weber kettle grill was invented in 1951 by combining two metal marine buoys, and was just one of many popular options sold at department and hardware stores nationwide. Pop culture portrayed grilling as a gender-specific activity, with women preparing side dishes indoors and men toiling away outside at a smoking grill. Cliché imagery of the cave man was often invoked when describing the art of grilling, such as in this quote from a 1956 issue of Kiplinger Magazine: “Give a man a patch of yard to call his own, and soon you will see him, garbed in white hat, funny apron and asbestos gloves, solemnly practicing that most ancient of masculine arts—the cooking of raw flesh at an open fire.”
Grilling was well established in the cultural zeitgeist of the time. Big brands hopped on the barbecue bandwagon as well, even those not peddling grills and ketchup. Want to be reminded of outdoor grilling season in the middle of winter? Why not choose this barbecue-themed wallpaper for your next remodeling project. From aprons to children’s toys, the barbecue motif was as hot as a burger just off the grill. In the 1957 I Love Lucy episode “Building a Bar-B-Q” Ethel and Lucy comically take on the typical suburban do-it-yourself task with humorous results (to which I am sure many homeowners could relate).
Cookbooks provided endless ideas for Jell-O salads and baked beans to accompany your grilled shish kebobs. This weekend, if you’re firing up the grill for a gathering, use it as an excuse to peak into your personal archives. Do you have a favorite family recipe from your mother, grandfather, or great-aunt? Our family recipes are our family stories, whether the ingredients came from the garden or a tin can. I leave you with two summer recipes from my grandmothers, both of whom grew up during the Depression, married veterans of World War II, and raised their families in the Maryland suburbs in the 1950s. Remember, it wouldn’t be a mid-century recipe without either pineapple or mayonnaise—or both!
-Kate Fox, curator, Patios, Pools & the Invention of the American Backyard
Do you have a favorite family recipe for barbecue, or a side dish with a story? Memories of your backyard or garden from the 1950s and 1960s? Share it with Community of Gardens, our digital archive! We are collecting stories from the public about gardens and backyards in America and building a digital archive of our shared landscape history.
This summer Smithsonian Gardens (SG) joined the National Museum of Natural History and the National Zoo in an outreach program designed for high school students. Youth Engagement through Science (YES!) connected students to Smithsonian collections, experts, and training in an effort to provide them with practical experience, inspiration and encouragement to pursue science, technology, engineering, and mathematics (STEM) careers. The program also equipped the students with resources to help them in their next step of attending college to pursue their career interests.
Students who participated in YES! worked side by side with SG horticulturists and educators in the Smithsonian Gardens’ Greenhouse, Victory Garden and Heirloom Garden. The mentors, Tom Mirenda, Joe Brunetti and Erin Clark, worked with three students, Damani Eubanks, Kumar Madhav and Dion Anderson, from various high schools in the D.C. metropolitan area. Each mentor designed a project highlighting subjects in their area of expertise. The students worked with the mentors to complete the projects, keep a field journal and produce a poster for a special open-session presentation at National Museum of Natural History.
A special tour of the SG Greenhouse gave SG YES! students, Kumar and Damani, a chance to share their project with all 25 YES! students. Kumar and Damani demonstrated their newly gained knowledge when they explained how they measured and recorded various parts of blooming orchids.
This fall, when the students return to school, they are required to take a leadership role among their peers and promote the YES! program in a community outreach project. The students will be ombudsmen for Smithsonian Gardens!
YES! was a positive experience for both the mentors and the students. Smithsonian Gardens is looking forward to participating in next year’s programs with the new projects for new students.
In the early twentieth century, gardens were predominantly documented by hand-painted glass lantern slides. The painting process was a meticulous one as it involved the painstaking application of color to the flowers and foliage captured on the black and white positive. Not surprisingly, colorists (who were not horticulturists) often applied the wrong colors; purple irises were painted pink, and orange tiger lilies were painted yellow. Garden enthusiasts yearned to have photographs that not only depicted their gardens beautifully, but accurately.
The earliest color photography, the autochrome process was developed by the pioneer fimmakers, the Lumière brothers. As Sam Watters writes in his book, Gardens for a Beautiful America, Frances Benjamin Johnston, the famous garden photographer, was one of the first in her business to experiment with this new additive color process. An autochrome plate consisted of a a glass plate coated on one side with microscopic grains of red-orange, green and blue-violet potato starch. Lampblack filled the space between grains and the top layer was coated wtih a black-and white panchromatic silver halide emulsion. Once the camera’s shutter was opened light went through two crucial steps; first, it would pass through an orange-yellow filter on the camera (which corrected the emulsion’s ultra sensitivity to violet and blue light); second, the light would penetrate the glass plate of colored potato starch before finally reaching the emulsion.
The plate was reversal-processed into a positive transparency and at normal viewing distances, the individual grains of colored potato starch blended together in the eye, reconstructing the captured scene. Autochrome glass plates continued to be produced into the 1930s, falling out of style with the introduction of Lumière Filmcolor sheet film in 1931, then Lumicolor roll film in 1933. Sprinkled throughout the Archives of American Gardens’ collection, autochrome photographs not only beautifully and faithfully depict their subjects, but also testify to the intersection of garden design and photographic history.
Kristina Borrman, Katzenberger Art History Intern